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This post written by Clint The Last Unicorn
by Peter S. Beagle
[cover name=thelastunicorn]
When I was a kid, I saw a really amazing animated movie called The Last Unicorn. Later, I found the book it was based on. While the movie is really good, the book is even better.
Unicorns live forever, and they tend to stay in one place and not travel. Places where they choose to live become special – the animals learn a little bit of magic, and winter never comes. One day a group of hunters visit a unicorn’s forest but cannot find anything to hunt. They eventually realize that something is wrong, and as they leave, the warn the unicorn that all the others are gone, and that she is alone in the world.
The unicorn had never minded being alone before that, but she is disturbed by the thought that there were no other unicorns left. She isn’t sure what to do, or even whether to believe the men, but she decides to leave her forest and find some answers.
She soon learns that humans can no longer see unicorns. When they look at her, they see a fine horse, but not a magical unicorn. Eventually she meets a butterfly, who appears to be a little bit crazy, but he also seems to know about unicorns. He claims that something called the Red Bull chased all the other unicorns, but that she can save them if she is brave. Unfortunately, it’s hard to tell how much of that is serious and how much of that is the butterfly just saying random things.
The unicorn is taken prisoner by Mommy Fortuna, a witch who runs The Midnight Circus, a pathetic collection of animals that she has enchanted to appear magical. While in the Circus, the unicorn meets Schmendrick the Magician. Schmendrick is a real magician, by which I mean he can actually do magical stuff. However, he isn’t a skilled magician, by which I mean he can’t really control what happens when he does magical stuff. However, he does recognize a unicorn when he sees one, and he is able to help her escape.
Schmendrick and the unicorn meet up with Molly Grue, the wife of a second-rate bandit king. Molly knows a unicorn when she sees one, too – she has always believed in them, and she has always dreamed of seeing one. Together these three head toward the castle of King Haggard, who owns the Red Bull.
They eventually meet the Red Bull, but it proves to be too strong for them to deal with. Schmendrick works his most powerful spell yet, and that’s when things take a sudden left turn. Eventually, our misfit heroes triumph, and unicorns and wonder are returned to the land, but the ending is kind of bittersweet. Unicorns are unicorns, and people are people, and the two don’t really mix. It will make sense when you read it.
One of the things that I really like about this book is that none of the villains are really evil. They’re bad people, but they aren’t evil in the same insane way that a lot of fantasy villains are. They’re people, and you kind of feel sorry for them. Mommy Fortuna is a sad old woman running a sad old monster show. Captain Cully is a two-bit bandit lord who has to write heroic folk songs about himself, because nobody else will. King Haggard rules a vast country and his son is a great hero, but he can find no joy in life. Actually, I think pretty much all the characters are more complex than you usually find in stories.
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This post written by Clarissa Mistress of Spices
by Chitra Banerjee Divakaruni
[cover name=mistressofspices]
I really enjoyed this book, but it’s hard to describe. It’s by Chitra Banerjee Divakaruni, formerly a community college creative writing instructor at Foothill in Los Altos, and it’s set in Oakland (not the expensive, yuppie side of Oakland, but the more interesting and sometimes dangerous areas). It’s usually just listed as fiction, literature, or magical realism, but I disagree. It’s fantasy start to finish. I would even say, given the role the San Francisco and Oakland play in it, with the immigrants’ and locals’ hopes and dreams and crimes, urban fantasy. Yes, it’s fantasy based in on cultures that have been continuously alive (India) rather than the more common urban fantasy that’s loosely based on what we know about ancient Celtic cultures, but there’s also plenty of Catholic- and Haitian Vodou- and other continuous-living-tradition-derived-based urban fantasy out there, so I hope nobody from the Indian subcontinent will be upset if I label this as urban fantasy of a kind. (Anyway, my impression is that the details of the magic in the book were totally made up by the author, besides the traditional elements of Ayurvedic medicine and whatnot, but please let me know if I’m wrong.)
The main character is Tilo, a “Spice Mistress” who can use power-infused spices from around the world to solve the problems of the customers who step through the doors of her little shop in Oakland. To wield such magic, she has had to pay a high price. She’s a young woman trapped in an old woman’s body, trapped in the store, but because she chose this life, she doesn’t view it as a trap. Until she meets someone who’s different …
One of the things I thought was interesting about this book was that it doesn’t shy away from racial issues–Tilo is aware of her ethnicity, her customers’ ethnicity, and so on. That’s not the main focus of the book, but it comes into play. There is a movie, but from everything I’ve heard, it removes all of the most interesting parts of the book, including Tilo’s fascinating back story before she becomes a Mistress of Spices (AWESOME). And speaking of ethnicity, as far as I understand, they actually change one of the most important characters’ backgrounds to be completely white, which is totally obnoxious because that character’s background is really important to the story. The movie might be interesting if you really like Aishwarya Rai, the famously beautiful Indian actress, but I don’t have any interest in seeing it, because it turns a complex, multilayered fantasy that includes a love story into a fluffy romance.
Be warned that the writing style is unusual and sometimes almost poetry-like. One reason for this is that the author is trying to convey the different patterns of the characters’ voices, I think, so that you will notice the way characters from different regions of India have different ways of speaking English. (English is one of various native languages for many people in India and Pakistan, and one of the reasons this is so, even after the end of colonialism, is that there are multiple language families in that part of the world that are not related to each other at all. There is no “Indian language” or single “Indian accent.” Many of the languages within India are mutually unintelligible, being far more different from each other than French and Spanish–since those come from a single language family.) Other times there’s unusual punctuation or sentence structure just to convey a sense of dreaminess, I think. Just go with it! It’s definitely not for everyone, but give it a few chapters and see if you can get into it.
This book is a great demonstration of the American literature market’s weirdness about “genre fiction,” which includes fantasy, science fiction, mysteries, romance, horror, and other things that book critics, some so-called intellectuals, and many literature and creative writing professors look down on. (Not all of them–I have a master’s degree in English myself.) This book is usually referred to as literary fiction, but as far as I’m concerned, it and similar things like Chocolat are fantasy. There seem to be some unspoken rules that most critics and professors would apply to books like this, like If It Addresses Real Issues Such As the Immigrant Experience It Cannot Be Genre Fiction, and If It Has Interesting Punctuation or Other Fancy Writing Tricks It Cannot Be Genre Fiction, and If There Are Parts Where You Can’t Tell Metaphor from Reality It Cannot Be Genre Fiction, and Basically If Reviewers Liked It It Cannot Be Genre Fiction, Because They Have Never Actually Read Any. So in order for a book critic, etc., to speak positively about a genre book, they can’t admit that it’s a genre book (unless it’s “for kids,” like Harry Potter). They have to pretend that despite the blatant use of magic (Chocolat, Mistress of Spices, Practical Magic, etc.), being set in the future (The Handmaid’s Tale, The Sparrow, etc.) and so on that something isn’t fantasy or science fiction. (Actually, I think that’s part of how the term “magical realism” got invented, to be totally honest.) It’s pretty funny in some ways, but it also backfires when students, writers, and others can’t get taken seriously because their books got labeled one way while some very similar book got labeled another way.
But this is genre fiction. And if you read widely within genre fiction, you will encounter all of these concepts and everything else that literary fiction does well, because just like all other things in life, genre fiction has a wide range from “complete crud” to “utterly excellent.”
Anyway, although this book is definitely not for everyone, I recommend it if you think you might enjoy a fantastic journey into a dreamland of spices, magic, and love, firmly grounded right here in the Bay Area. But be warned that you’ll be craving an aromatic cup of masala chai afterwards!
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This post written by Clint The Last Wish
by Andrzej Sapkowski
[cover name=thelastwish]
Geralt de Rivia is a witcher, a monster hunter who uses magic, alchemy, his sword, and his brain to deal with dangerous creatures. He works as a mercenary, and he has a quirky sense of right and wrong. He has no problem killing three guys who attack him in a bar, for example, but he won’t immediately try to kill every supernatural menace he encounters. In this world, humans are often more evil than monsters, so maybe the person who hired Geralt is the villain and the creature Geralt has been hired to kill isn’t.
The Last Wish is a series of connected short stories. Geralt is recovering from his wounds in a temple, and the stories are flashbacks or stories he shares with people there.
This isn’t traditional heroic fantasy. As I said before, Geralt has a strange code of ethics, and sometimes he is tricked by a bad person into doing the wrong thing. The setting is kind of dark and gritty. The old, magical world is dying, and the new world is dominated by humans. People come to the wilderness, start new towns, and drive the monsters away. There is no one big bad out to conquer or destroy the world. Instead, we have evil humans and monsters facing extinction and trying to fight back.
There are some sexual situations in the story (including some in the first two pages), but most of it is only alluded to.
This is part of a larger series, which includes the TV series The Hexer (forget about the movie), several novels, some graphic novels, and a video game called The Witcher. The stories were all originally written in Polish; most, but not all, of the stories have been translated into English.
You can read some of the book online at the publisher’s website.
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This post written by Clint Dead is the New Black
by Marlene Perez
[cover name=deadisthenewblack]
The women in Daisy Giordano’s family have special powers. Her mom can see bits of the future. One sister can read minds, and the other is telekinetic. Somehow, though, Daisy missed out. She’s normal, or as near as you can get when your family runs a psychic detective agency. A lot of strange things happen in her hometown of Nightshade, California, but Daisy’s life really gets interesting when the most popular girl in her high school comes back from vacation looking kind of dead. Undead, actually, and she’s popular enough to make pale skin and custom-made coffins stylish.
Then one of Daisy’s fellow high school students is murdered. Death doesn’t seem to stop this student, though, and she shows up to a pep rally. It’s up to Daisy and the police chief’s son Ryan (the guy she’s got a crush on) to figure out what’s going on.
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This post written by Clint Algernon Blackwood has been called the master of the English ghost story. He is often listed in the horror section, although he didn’t write what you probably consider horror. Blackwood’s stories are about the supernatural – ghosts, magic, and other strange creatures. Sometimes bad things happen, but some times they don’t. His stories aren’t terrifying in the blood and gore and monsters everywhere sense, but they are usually eerie or strange. He was a master of atmosphere and buildup,
Blackwood wrote a lot of short stories, and his themes ranged from reincarnation to romance to encounters with strange, unexplained creatures. However, almost every one of his stories has some weird element to it.
He also created John Silence, one of the earliest supernatural investigators.
Algernon Blackwood isn’t that famous among people who read modern horror, but he had a strong influence on H. P. Lovecraft and probably many modern horror writers, too.
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Where to Find His Books
You can read a lot of his books and stories online at the Penn State Online Books page.
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This post written by Clint The Lies of Locke Lamora
by Scott Lynch
[cover name=theliesoflockelamora]
Locke Lamora is the best thief in the city of Camorr, a city that is kind of like a fantasy version of Venice. As a young child, his parents are killed in a plague. When the city guards come to round up survivors, Locke steals one off their purses. From there, he was sold to a man called the Thiefmaker, who trains orphans to be thieves. Locke’s work is just too much for the Thiefmaker to handle, but rather than kill Locke, the Thiefmaker sells him to a priest named Chains.
Rather than trying to turn Locke into a decent citizen, Chains teaches Locke to be an even better thief. Eventually, Chains assembles a team of outstanding pickpockets, burglars, and con artists. Locke and his friends Jean, Bug, Caldo, and Galdo, are masters of disguise and deception. They can convincingly impersonate nearly anyone, from a priest of the god of death to a nobleman.
Thieves in Camorr must follow a few simple rules set by Capa Barsavi, the crime boss of the city. Among other things, they must give him their allegiance, pay him a portion of their earnings, not draw too much attention (Locke is really bad at this part), and leave the nobility alone (Lock is really, really bad at this one). In return, the city guard pretty much leaves the thieves alone. This is called the Secret Peace,and it works pretty well for the nobility and the thieves, but not for anybody else.
Locke and his friends ignore the secret peace. After all, stealing from the nobility has three huge advantages over stealing from anyone else.
- They’ve got the money.
- They’d never expect it.
- Many of them deserve it.
However, Locke and his pals aren’t the only people breaking the Secret Peace. Thieves are being murdered, but nobody has the faintest idea who is doing it. This throws the criminal underground into chaos just as Locke, Jean, Caldo, Galdo, and Bug are in the middle of the con of a lifetime.
The scams Locke and his friends use in this book are just amazing. They are works of art. This is like Ocean’s Eleven, except much more clever. However, the story is also a lot grittier and more violent. There’s a lot of swearing, and a fair amount of bloodshed. Locke isn’t much of a fighter, but Jean is a big guy who fights with a pair of axes, and he gets to use them on more than one occasion.
The setting for The Lies of Locke Lamora is really elaborate and creative. Scott Lynch has put a lot of detail into the city and the many different cultures of the world. This is a fantasy novel, and while there aren’t a lot of people who can cast spells, there are still plenty of fantastic elements. Another race of creatures ruled the world before recorded human history, and they left amazing artifacts behind. Much of the city is made out of a special material known as Elderglass, which is indestructible and glows just after the sun sets. The towers on the cover shown above are the five main Elderglass towers of Camorr, where the rich and powerful live. Of course, since nobody alive can really work with Elderglass, and since whatever ancient devices once moved people from one floor to another have long since broken down, the nobles of Camorr get around these giant towers in crude wooden elevators slapped onto the sides of the towers.
Alchemy, a fantasy version of science (plus a little magic) is also an important part of the world. Alchemists make poisons and potions, but they also make lights, cooking stones that heat up when you pour water on them, and many more nifty things. Alchemists also help develop new kinds of plants – alchemically enhanced fruit and wine are popular treats among the extremely wealthy.
I haven’t really mentioned the characters yet, but they are really well done. Pretty much everybody is interesting and has a twist and a surprise or two hiding inside. Locke, of course, always has a trick up his sleeve. Jean is a big, chunky, axe-wielding accountant with a soft spot for romance novels. Capa Barsavi was a famous scholar before he took control of Camorr’s underworld. There are too many twists and surprises for me to spoil, but I’ll leave the rest for you.
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This post written by Clint The Name of the Wind
by Patrick Rothfuss
[cover name=thenameofthewind]
Kote is a simple innkeeper. Unfortunately, the roads are not safe these days, so business isn’t doing so well. Part of the problem is that a bunch of giant spider-like creatures are living near his village, so Kote decides to wipe them out. Because simple innkeepers always kill packs of monsters in their spare time.
One man is sure that Kote is more than he seems. He calls himself Chronicler, and he is sure that Kote is the legendary hero or villain (depending on which legend you listen to) Kvothe. After hounding Kote for a while, Chronicler finally gets him to confess to being Kvothe. Chronicler really wants to know the truth behind all of the stories about Kvothe, but Kvothe will only talk if Chronicler promises to write exactly what Kvothe says.
Much of The Name of the Wind is Kvothe telling us about his life. He’s done some pretty impressive things. He was born into a group of traveling performers, so he learned to act, sing, and ply instruments. An wizard/scholar named Abenthy travels with his family for a while, and he teaches Kvothe the basics of magic/science. However, Abenthy never teaches him the really powerful magic, where if you can name something, you can control it. Kvothe decides he wantes to learn the name of the wind, which is something that Abenthy knows. Abenthy encourages him to attend the University, where he can learn that kind of magic, but before that can happen, Kvothe’s family is killed.
Kvohte survives as an orphan for a while, but he eventually gets into the University, where can study naming magic, and maybe even find out more about who killed his family. We learn a lot about Kvothe’s life at the University – how he fell in love, how he was banned from ever setting foot in the library again after an incident involving a candle, and how he manages to become a student of the Master Namer.
This book is big, but it is only part on of three. We get a lot of hints about the things he has done, but we don’t know, for example, why he eventually gets expelled from the University, how he gets the nickname of Kvoth Kingkiller, or why he decides to pretend to be an inkeeper.. However, this book isn’t all about the past. Parts of it are set int he present, where dark forces appear to be at work. Kvothe may have very good reasons for hiding out.
You can read an excerpt from the book online at the author’s website.
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This post written by Clint The Dragons of Babel
by Michael Swanwick
[cover name=thedragonsofbabel]
The Dragons of Babel is set in a fantasy world that includes some bits of the real world. You’ll find assault weapons, Vespa scooters, and Mohammad Ali mixed in with elves, dwarves, centaurs, and dragons. There is a war going on, with mechanical dragons fighting basilisks. One day a dragon is shot down near the village where the main character, Will le Fey, lives. Even though the dragon is badly damaged and cannot fly, it is still powerful enough to take over the village. It makes Will its servant and uses him to identify people who might cause trouble. Naturally, since Will’s job is to spy on his friends, people start to hate him, and he is eventually thrown out of the village.
Will ends up in a “refugee camp,” and from there is put on a train and taken to Babel, a sort of fantasy version of New York City. On the train he meets Nat, a con artist, and Esme, a woman who has traded all of her memories for eternal youth. Once he gets to Babel, he gets involved with a gang and becomes a hero to the poor who live in tunnels underneath the city. Eventually he meets and falls in love with Alcyone, a noblewoman. Then Nat comes up with an elaborate scheme that, in addition to making a lot of money, might help Will and Alcyone get together.
You should keep in mind that this world is not the real world and the people are not humans, so they do things that seem strange to us. For example, when Will had a good day fishing, he would smear fish on his great-great-great-grandmother’s feet to show respect. Sex is also mentioned in the story, and since the characters are not human, one or two scenes might seem a little weird. However, all of these details and many more make a really interesting, elaborate world. It’s a very different world, but it’s one that can easily pull you in.
You can read some of it online through Google Books.
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This post written by Clint The Haunting of Alaizabel Cray
by Chris Wooding
[cover name=thehauntingofalaizabelcray]
Alaizabel Cray isn’t exactly haunted. Ghosts don’t follow her around and cause trouble. She’s more possessed. Sometimes. Plus, monsters are drawn to her.
The Haunting of Alaizabel Cray is set in London during the Victorian period, although they never say what year. The Victorian period feels right because houses and streets are still lit by gas lamps and horse-pulled carriages are still the main form of transportation. However, history doesn’t exactly match up. In this world, the United Kingdom lost a war with the Prussians and, not too long after that, monsters called wytch-kin started taking over part of London.
Two of our main characters, Thaniel and Cathaline, are professional wytch-hunters who run around London at night and do their best to kill wytch-kin. While hunting a Cradlejack, a wytch-kin that abducts babies, Thaniel stumbles across a dirty, crazy woman who doesn’t seem to mind hanging out near the Cradlejack. Feeling sorry for her, Thaniel takes her home and, much to his surprise, nurses her back to sanity. Not too long after that, Thaniel and Cathaline discover that they are all in the middle of a supernatural plot that threatens to destroy the entire world.
One thing I have always wanted to see in a book is a villain who says something like, “Yeah, I’m evil, but I don’t want to destroy the world. I live there!” We get one of those in this story. However, despite the fact that he sounded like he was off to save the world, I found his actual role kind of disappointing.
Some people put this book under horror. I don’t think that’s quite right. It’s more along the lines of supernatural investigation. It has monsters and a serial killer, and there a couple of slightly gruesome scenes, but nothing that bad.
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This post written by Clarissa Magic Bites
by Ilona Andrews
[cover name=magicbites]
Kate Daniels is a kind of soldier-for-hire in an imaginary version of Atlanta, carrying a sword, some words of power, and no tolerance for fools. In this world, sometimes magic flares up and the electricity goes out, and sometimes magic goes down and the spells that she has protecting her house from bad things fail, and creeping vampires get in. (Vampires are incredibly disturbing and unnatural in this series–not sexy at all! Shapeshifters–people who can turn into animals, etc.–on the other hand, can be dangerously attractive.) In Kate’s world, there are rules about magic, about vampires, about shapeshifters, and about how all of these things interact. Kate’s not really fond of rules, though, which is one reason she’s a mercenary and not part of any organization. But in order to avenge the death of someone important to her, she agrees to work with an organization. That makes life complicated. There are a lot of complications coming her way–plenty of danger, a little romance, yikes! Kate is the kind of person who kicks butt first and asks questions later, but she’ll figure it all out eventually. Assuming she can get a handle on her drinking problem …
One of the best things about the book is that you can tell the author has really thought through the setting. A lot of recent supernatural investigation/urban fantasy novels focus on either romance or sex and don’t spend a lot of time creating a cool, detailed world, but this author has really put a lot of thought into how things work. That’s appreciated. (There’s some romance, but it’s definitely not the main feature.)
This is Ilona Andrews’ first book, and English is not her first language. If you’re really sensitive to grammar, you might notice a couple of awkward spots, but overall, the writing is fine. People who have read the second and third books say that they get better and better. (Plus, it’s great to see more published authors whose first language isn’t English! Andrews’ first language is Russian, and you’ll see some references to Russian culture and language in the story, which is cool.)
You can read an excerpt online at the author’s website.
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