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This post written by Clint Sharp Teeth
by Toby Barlow
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Anthony Silvo has just gotten a job as a dogcatcher in East L.A. He doesn’t really want to send the dogs to the pound, but he needs the money. Then he meets a mysterious woman who gets him caught in the middle of a big supernatural mess.
Werewolves are alive and well in East L.A. Well, not exactly werewolves. More weredogs, who can shift back and forth between human and dog whenever they want. There are a number of things going on in the story. Lark, the leader of one pack, is betrayed by one of his followers. He decides to hide out in an animal shelter and is eventually adopted. When his owners are out, he organizes a new pack, but he slowly realizes that he likes the quiet life. Meanwhile, Anthony’s mysterious girlfriend is killing off certain weredogs. A couple of people from Lark’s pack end up playing in a bridge (not poker!) tournament that may have a connection to the L.A. drug trade. Finally, a detective named Peabody (probably a reference to Mister Peabody) is investigating a series of murders that relate to the weredog packs.
This is a werewolf story, so you can expect a fair amount of violence. The author also sneaks in a lot of dog-related humor, as you can see from the bridge-playing dogs and Peabody. The unusual thing is that this story is told in verse, sort of. Why? I’m not sure, but a couple of recent authors have tried it, so I guess it must be trendy. The book looks like a giant poem, but once you start reading, it’s basically a novel with very short lines.
If you want to give the book a try, you can browse it for free at the publisher’s website.
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This post written by Clint The Haunting of Alaizabel Cray
by Chris Wooding
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Alaizabel Cray isn’t exactly haunted. Ghosts don’t follow her around and cause trouble. She’s more possessed. Sometimes. Plus, monsters are drawn to her.
The Haunting of Alaizabel Cray is set in London during the Victorian period, although they never say what year. The Victorian period feels right because houses and streets are still lit by gas lamps and horse-pulled carriages are still the main form of transportation. However, history doesn’t exactly match up. In this world, the United Kingdom lost a war with the Prussians and, not too long after that, monsters called wytch-kin started taking over part of London.
Two of our main characters, Thaniel and Cathaline, are professional wytch-hunters who run around London at night and do their best to kill wytch-kin. While hunting a Cradlejack, a wytch-kin that abducts babies, Thaniel stumbles across a dirty, crazy woman who doesn’t seem to mind hanging out near the Cradlejack. Feeling sorry for her, Thaniel takes her home and, much to his surprise, nurses her back to sanity. Not too long after that, Thaniel and Cathaline discover that they are all in the middle of a supernatural plot that threatens to destroy the entire world.
One thing I have always wanted to see in a book is a villain who says something like, “Yeah, I’m evil, but I don’t want to destroy the world. I live there!” We get one of those in this story. However, despite the fact that he sounded like he was off to save the world, I found his actual role kind of disappointing.
Some people put this book under horror. I don’t think that’s quite right. It’s more along the lines of supernatural investigation. It has monsters and a serial killer, and there a couple of slightly gruesome scenes, but nothing that bad.
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This post written by Clarissa Magic Bites
by Ilona Andrews
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Kate Daniels is a kind of soldier-for-hire in an imaginary version of Atlanta, carrying a sword, some words of power, and no tolerance for fools. In this world, sometimes magic flares up and the electricity goes out, and sometimes magic goes down and the spells that she has protecting her house from bad things fail, and creeping vampires get in. (Vampires are incredibly disturbing and unnatural in this series–not sexy at all! Shapeshifters–people who can turn into animals, etc.–on the other hand, can be dangerously attractive.) In Kate’s world, there are rules about magic, about vampires, about shapeshifters, and about how all of these things interact. Kate’s not really fond of rules, though, which is one reason she’s a mercenary and not part of any organization. But in order to avenge the death of someone important to her, she agrees to work with an organization. That makes life complicated. There are a lot of complications coming her way–plenty of danger, a little romance, yikes! Kate is the kind of person who kicks butt first and asks questions later, but she’ll figure it all out eventually. Assuming she can get a handle on her drinking problem …
One of the best things about the book is that you can tell the author has really thought through the setting. A lot of recent supernatural investigation/urban fantasy novels focus on either romance or sex and don’t spend a lot of time creating a cool, detailed world, but this author has really put a lot of thought into how things work. That’s appreciated. (There’s some romance, but it’s definitely not the main feature.)
This is Ilona Andrews’ first book, and English is not her first language. If you’re really sensitive to grammar, you might notice a couple of awkward spots, but overall, the writing is fine. People who have read the second and third books say that they get better and better. (Plus, it’s great to see more published authors whose first language isn’t English! Andrews’ first language is Russian, and you’ll see some references to Russian culture and language in the story, which is cool.)
You can read an excerpt online at the author’s website.
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